Regular readers to this blog will know how much I loved Douglas Skelton’s Thunder Bay. Shortlisted for the Bloody Scotland Scottish Crime Book of the Year, Thunder Bay is the first book to feature journalist Rebecca Connolly.
Tense, atmospheric, beautifully written, Thunder Bay is a cracker of a crime novel I really loved.
Now the second book in the series is scheduled for publication in March next year, and I can’t tell you how much I am looking forward to meeting Rebecca Connolly again.
I’m really thrilled and I can’t lie, a little bit buzzed, to be able to bring you a sneak preview of the cover, but before that, let’s take a look at what the book is about.
THE BLOOD IS STILL
When the body of a man in eighteenth-century Highland dress is discovered on the site of the Battle of Culloden, journalist Rebecca Connolly takes up the story for the Chronicle.
Meanwhile, a film being made about the ’45 Rebellion has
enraged the right-wing group Spirit of the Gael. They see themselves as
modern-day Jacobites and have connections to a shadowy group called Black Dawn
which has been linked to death threats and fake anthrax deliveries to Downing
Street and Holyrood.
When a second body – this time in the Redcoat uniform of the government army – is found in Inverness, Rebecca finds herself drawn ever deeper into the mystery. Are the murders connected to politics, a local gang war or something else entirely?
Now that sounds amazing and I can’t wait to find out how The Blood is Still will develop.
I’m almost ready to tell you about the cover for The Blood is Still, but first a word or two about our author, Douglas Skelton.
Douglas Skelton has published 12 books on true crime and history. He has been a bank clerk, tax officer, shelf stacker, meat porter, taxi driver (for two days), wine waiter (for two hours), reporter, investigator and editor. His first thriller BLOOD CITY was published in 2013. The gritty thriller was the first in a quartet set on the tough streets of Glasgow from 1980 onwards. It was followed by CROW BAIT, DEVIL’S KNOCK and finally OPEN WOUNDS, which was longlisted for the first McIlvanney Prize for Scottish Crime Book of the Year in 2016.
His two Dominic Queste thrillers, THE DEAD DON’T BOOGIE and TAG – YOU’RE DEAD lightened the tone but didn’t skimp on thrills. He followed this with his New York-set chase thriller THE JANUS RUN in 2018. Douglas is often recruited by documentary makers to contribute to true crime shows on TV and radio and is a regular on the crime writing festival circuit. He also takes part in comedy shows with other crime writers. To date he has written three Carry on Sleuthing plays in which he also appears along with Caro Ramsay, Michael J. Malone, Theresa Talbot, Pat Young and Lucy Cameron, with occasional guests Alex Gray, Lin Anderson and Neil Broadfoot. He was also the author of the very successful You The Jury, which premiered at Bloody Scotland in 2019 – a collaborative drama project with lawyers, scientists and staff from the Faculty of Advocates, the James Hutton Institute and the Scottish court service. Douglas is also one quarter of Four Blokes in search of a Plot, along with Gordon Brown, Mark Leggatt and Neil Broadfoot.
And so now it’s time for the BIG COVER REVEAL
Gorgeous, isn’t it? I cannot contain my excitement!
The Blood is Still is published on 5th March 2020 and is available to pre-order from all good book sources.
Source: Review copy Publication: 14th November 2019 2019 from Wildfire PP: 352 ISBN-13: 978-1472267337
Suspended from duty after her last case ended in the high-profile
arrest of one of Britain’s wealthiest men, DC Constance Fairchild is trying to
stay away from the limelight. Fate has other ideas . . .
Coming home to her London flat, Constance stumbles across a young man,
bloodied, mutilated and barely alive. She calls it in and is quickly thrown
into the middle of a nationwide investigation . . . It seems that the victim is
just the latest in a string of similar ritualistic attacks.
No matter that she is off-duty, no matter that there are those in the
Met who would gladly see the back of her, Con can’t shake her innate
determination to bring the monsters responsible for this brutality to justice.
Trouble always seems to find her, and even if she has nothing to hide,
perhaps she has everything to lose . . .
The paperback of Nothing to Hide is published this week and I am delighted to re-share my review of a book I really enjoyed. More and more this series is feeling like it’s my happy place. Not, I hasten to add, because it is all sweetness and light; far from it. But I love James Oswald’s characters and in the Con Fairchild novels he’s got all the ingredients for a cracking crime novel with a difference and when he mixes them together he gets the balance and texture spot on.
Con Fairchild is Lady Constance Fairchild, though her title
is not something she would dream of using. The tabloids refer to her as ‘the
Posh Cop’ ever since she uncovered a web of corruption which led to the murder
of her old boss.
She’s been suspended since then, awaiting her opportunity to
testify at the trial of wealthy businessman Roger De Villiers and D.S. Gordon
Bailey who between them ran a murky business empire.
Con isn’t all that popular with some members of her own
force, either, Cops died in the final fall out that Con was at the heart of and
that won’t be forgotten for a very long time. So she’s returned home to her cold
and stark London flat, where she does her best to avoid the journalists that
seem to be dogging her every footstep.
She’s hardly back before she discovers a young black man by
the bins behind her flat, badly injured, his tongue and testicles removed. DCI Bain of the NCA doesn’t want Con involved
because of her profile and her suspension, but what she has stumbled on belongs
squarely to an active investigation Bain is leading, dealing with similar
bodies, except that these were all dead.
Con, aptly named for such a dogged, determined woman, needs
to know what happened to this young man and a chance encounter with a young
woman elicits a name, at least, before the woman runs off. To avoid the press and make herself useful,
Bain agrees that she should go and talk to the young man’s mother, who lives in
On her way she calls in home and stays with her Aunt
Felicity. Her brother Ben is getting married to Charlotte shortly and Con needs
to tell her mother that she won’t be attending. The last thing Charlotte and
Ben need is a bunch of paps turning up at their wedding in search of the ‘Posh
cop’ and her family.
Her mother introduces her to an imposing figure, The Reverend Dr Edward Masters
of the Church of the Coming Light. She knows their name because she has seen
them taking some of the homeless and drug addicts off the streets in London,
near where she lives.
In Edinburgh, she stays with the delightful, mysterious Madame
Rose, who as ever is able to anticipate her every need and it isn’t long before
she becomes embroiled in another dead body case with remarkably similar
Con can smell the evil that’s surrounding these bodies and
she’s got a pretty good idea where it’s coming from. The only question is
whether she can stay alive long enough to solve the case and bring the
perpetrator to justice.
Nothing to Hide can be read as a stand-alone as sufficient
backstory is given, but with such a new series, I’d start from the beginning to
get the whole picture. We’re learning more about Con as the story develops and
she’s beginning to take shape a lot more clearly in my mind now, as I learn
things about her personal characteristics as well as her attitudes and
Con is lucky to have made a tentative friendship with DC
Karen Eve, as both women are likely to join the National Crime Agency and I
hope we will see them working together more in future books in the series. One of Con’s drawbacks to date has been her
isolation; the difficulty she has in making friends and having someone with
whom to share theories and ideas, so a permanent friendship or sidekick would
be a boon for her. I liked Con’s neighbour Mrs Feltham, and a new character, Superintendent
Diane Shepherd is shaping up to be really interesting! I must say that Oswald
does write his women characters well.
I really enjoy the sense of something other worldly that imbues
these books; just out of reach of explanation, never tangible enough to grasp,
but there in plain sight, all the same. The ambiguity of dealing with
ritualistic crimes and looking for legal justice leads to a fascinating and
utterly compelling tension that keeps the reader transfixed.
Verdict: Great characters, a complex murder investigation within
a well layered plot with lots of action and some cracking, disturbing, moments.
I loved Nothing to Hide.
James Oswald is the author of the Sunday Times bestselling Inspector McLean series of detective mysteries, as well as the new DC Constance Fairchild series. James’s first two books, Natural Causes and The Book of Souls, were both short-listed for the prestigious CWA Debut Dagger Award. James farms Highland cows and Romney sheep by day, writes disturbing fiction by night.
Source: Review copy Publication: 14 November 2019 from Harvill Secker PP: 432 ISBN-13: 978-1787300576
Calcutta police detective Captain Sam Wyndham and his quick-witted
Indian Sergeant, Surrender-not Banerjee, are back for another rip-roaring
adventure set in 1920s India.
1905, London. As a young constable, Sam Wyndham is on his usual East
London beat when he comes across an old flame, Bessie Drummond, attacked in the
streets. The next day, when Bessie is found brutally beaten in her own room,
locked from the inside, Wyndham promises to get to the bottom of her murder.
But the case will cost the young constable more than he ever imagined.
1922, India. Leaving Calcutta, Captain Sam Wyndham heads for the hills
of Assam, to the ashram of a sainted monk where he hopes to conquer his opium
addiction. But when he arrives, he sees a ghost from his life in London – a man
thought to be long dead, a man Wyndham hoped he would never see again.
Wyndham knows he must call his friend and colleague Sergeant Banerjee
for help. He is certain this figure from his past isn’t here by coincidence. He
is here for revenge . . .
Abir Mukherjee’s Sam Wyndham/ Surendranath Banerjee series is one of the best crime series around and I am delighted to report that Death in the East is another sure fire hit.
Mukherjee’s writing has grown throughout this series and
here he shows confidence in his characters by giving Sergeant Surendranath Banerjee
lead status in the locked room mystery that poses a real conundrum for our two
The case this time has its origins in Sam Wyndham’s past. As
a young Police Constable, Wyndham came up against a rich and vicious thug whom
he suspects of being behind the death of Bessie Drummond, a young woman whom
Sam had once had feelings for. The narrative switches between the young P.C. in
1905 where he is stationed in the heart of London’s deeply impoverished East
End and 1922, where a seriously opium addicted Wyndham is determined once and
for all to throw off his addiction. He travels to Assam for treatment from a
Hindu holy man who treats addictions through a strict regime which brooks no
Wyndham is travelling when he sees someone that he thought
long gone; a foe he will never forget. That sighting brings alive all his memories of
Bessie Drummond and her murder in a locked room that Sam knows was wrongly attributed
to someone else. So when that man whom Sam knows to be the murderer is found
dead, also in a locked room, it is clear that Sam cannot be an impartial
investigator. Fortunately, he has already called on Sergeant Banerjee for
Mukherjee draws attention to the decades of prejudice and ill treatment meted out to those who arrive in Britain as immigrants; poor and in need of refuge. In 1905 it is the Jews who are the brunt of prejudice and racism; in later decades it will be the Bengalis and then the Serbs and Romanians. Britain’s history is one of deeply ingrained prejudice against those who seek asylum and to make their living in our country and Mukherjee shows us how deeply ingrained it is in out psyche when he portrays the relationship between Sam and Surendranath. Because Sam is not a bad man, but he is simply unable to get over his own sense of cultural superiority and ingrained racism to Surendranath, a man whose name he has never bothered to learn to pronounce, despite calling him a friend.
But this book is set predominantly in 1922 and in India
things are changing and changing rapidly. The move towards self-rule is gaining
pace thanks to the adoption of Mohandas Karamchand Gandhi’s policy of
non-violence and civil disobedience, and the days of the Raj, while by no means
over are beginning to look at least numbered.
This is reflected in the way that Surendranath and Sam
interact in this book. Sam, because of his previous experience with the dead
man, is deemed inappropriate to lead on the case, and so Surendranath finds
himself in the position of being the lead police investigator in the death of a
rich Englishman, working from a member’s club in Jatinga which would never
allow any Indian to be a member.
It was terrific to see Surendranath taking more of a centre
stage, albeit towards the end of the book. His relationship with Sam is
changing, just as India’s relationship with the British is changing. The
British see no irony at all in being incomers to India and yet asserting their
(self-perceived) authority, while simultaneously doing all they can to suppress
immigrants to Britain’s shores.
Mukherjee is beginning to assert Sergeant Banerjee’s
character more now and as the Sergeant gains confidence so we should see the
relationship between Sam and Surendranath shift to one which is more based on
equals than the previous ‘enlightened colonialism’.
Oh, and the locked room mystery is a good one, which is
solved neatly and with style. But this book is about so much more and Mukherjee’s
characters grow in depth and complexity with every book. I think this is the
best one yet and can’t wait for more.
Verdict: An elegant double locked room mystery layered with complex characterisation, atmospheric descriptions and conveying messages which resonate from 1905 through to the present day. This is top class storytelling of importance in a series not to be missed.
Abir Mukherjee grew up in the west of Scotland. At the age of fifteen, his best friend made him read Gorky Park and he’s been a fan of crime fiction ever since. The child of immigrants from India, A Rising Man, his debut novel, was inspired by a desire to learn more about a crucial period in Anglo-Indian history that seems to have been almost forgotten. A Rising Man won the Harvill Secker/Daily Telegraph crime writing competition and became the first in a series starring Captain Sam Wyndham and ‘Surrender-not’ Banerjee. It went on to win the CWA Historical Dagger and was shortlisted for the Theakstons Old Peculier Crime Novel of the Year award. Abir lives in Surrey with his wife and two sons.
Source: Review copy Publication: 14 November 2019 from Coronet PP: 336 ISBN-13: 978-1529303353
By reading Style
magazine, I was training myself not to want things. It was going quite well. I
had already found that I did not want a pair of Yves Saint Laurent mules, a
chandelier made from plastic antlers, or a diamond-encrusted necklace in the
shape of a pineapple. I was still working on not wanting a fitted farmhouse
kitchen in warm wood.
Sylvia lives in a flat on a council estate with her not-quite-husband
Obe and their two young children. She dreams of buying a house on a leafy
street like the one she grew up in. If she closes her eyes, she can see it all
so clearly: the stripped floorboards, the wisteria growing around the door…
It’s not ideal that she’s about to be made redundant, or that Obe, a
playworker, is never going to earn more than the minimum wage. As sleep
deprivation sets in, and the RnB downstairs gets ever louder, Sylvia’s life
starts to unravel.
But when the estate is earmarked for redevelopment, the threat to her
community gives Sylvia a renewed sense of purpose. With a bit of help from her
activist sister, and her film-maker friend Frankie, she’s ready to take a stand
for what she believes in.
Warm, witty and brilliantly observed, On the Up is about relationships
and community, finding a way through the tough times, and figuring out what’s
really worth fighting for.
Sylvia is tired. Oh, so very tired. Her neighbour is the cause of permanent, late night noise, her two children are taking up all her energy, her partner Obe lacks drive and responsibility, preferring to muse on the poetry of T.S. Eliot and Yeats in times of stress.
Sylvia and Obe are poor. Not so poor that they can’t eat, but poor enough to be locked into their anti-social neighbour, Dawn; into Priory Court, their run down council block and to be unable to see any way out. For Sylvia that is an added cause of stress. Obe meanwhile, just coasts through enjoying his minimum wage role as playworker, which gives him the joy he needs in his life.
And therein lies the rub. Sylvia feels she should be moving
upwards and onwards to something better but Obe is just too laid back and only wants
space to dream. His existentialism is infuriating. He refers to the reservoir
outside their block as the Hackney Riviera, and when Sylvia, explaining why
their neighbour is causing her massive stress and not understanding why Obe can
let it go, he says to her “Other things
bother me. Like why we are here on this planet and whether there is a universal
consciousness that unites us all and whether we can access that through
It is to Sylvia’s eternal credit that she did not there and
then beat him up, screaming loudly as she did so.
Their children are at that difficult age. Larkin (guess who
chose that name) is a massive bundle of exhausting energy and the baby, Elliot
is all grizzle, teething and screams.
Sylvia feels alone, resentful of her mother’s leafy Islington three bed villa
which she lives in alone and pissed off at her sister who lives a hippy
lifestyle in a squat.
Her one confidant, is Bill, the Council’s Anti-Social
Behaviour Officer for whom she is keeping a daily journal – which resembles a
stream of consciousness diary of her daily existence. It is Bill that she
reaches out to when she wants to share a worry, test a theory or just vent. He
may not be able to do anything about her anti-social neighbour, but he is there
for her on the other end of the phone.
Sylvia is barely hanging on; her dreams of a better life are
what keep her going, but all around her life is conspiring to make those dreams
Then it transpires that the Council are planning to knock
down her nasty council block in favour of a regeneration scheme managed by
developers. Suddenly the residents of Priory Court are up in arms and Sylvia
finds herself leading the charge.
Alice O’Keeffe has created a believable and warm character
in Sylvia and her situation is instantly recognisable to any parent. Struggling
to get by in an age of unemployment and the gig economy, in a city where only
the most affluent can afford to buy their own homes.
In the midst of all this, Sylvia is able to find a renewed
sense of optimism and a community spirit that casts a different light on her
situation and shows both her and Obe what really matters in life.
Verdict: On The Up, is a warm and witty observation on the
nature of what is important. It is tender, acutely well observed and above all
it offers hope to those who feel they are struggling under impossible domestic
Alice O’Keeffe is a freelance writer and journalist. She was deputy editor of the Guardian’s Saturday Review section, and writes book reviews, interviews and features for the Guardian, Observer and New Statesman. She has been a speechwriter at the Department for Education and literary programmer at the Brighton Festival. Alice lives in Brighton with her husband and two children.
Source: Review copy Publication: 14 November 2019 from Orenda Books PP: 276 ISBN-13: 978-1912374854
Carrie’s best friend has an accident and can no longer make the
round-the-world trip they’d planned together, so Carrie decides to go it alone.
Violet is also travelling alone, after splitting up with her boyfriend
in Thailand. She is also desperate for a ticket on the Trans-Siberian Express, but
there is nothing available.
When the two women meet in a Beijing Hotel, Carrie makes the impulsive
decision to invite Violet to take her best friend’s place.
Thrown together in a strange country, and the cramped cabin of the
train, the women soon form a bond. But as the journey continues, through
Mongolia and into Russia, things start to unravel – because one of these women
is not who she claims to be…
Take not one, but two unreliable narrators. Place these two young women together on the Trans-Siberian Express with stopping places full of eastern promise and excitement and wait for the chemistry to impact and the sparks to fly.
Susi Holliday’s psychological thriller is an event laden
thrill ride with dark and menacing undertones which lurk like basking sharks
just beneath the surface.
Violet is feeling bruised. Alone in Beijing she is missing her boyfriend with whom she fell out somewhere in Thailand and she is determined to carry on her backpacking journey alone. She tries to get a ticket for Trans-Siberian Express to Moscow but when she approaches the desk it appears that all tickets are sold out. Carrie is travelling solo, too. Her best pal, Louise, broke her leg just before they were due to go away and Carrie is e-mailing Louise regularly to let her know what she is missing. Violet bumps into Carrie at the ticket desk and the pair head off together to the bar for several drinks; leading Carrie to offer Violet her spare ticket for the sleeping compartment on the train. Their exotic and adventure filled journey is to take them from Beijing through Mongolia to Russia.
This is a story told from Violet’s perspective. Everything
we know comes from her, save for the e-mails which Carrie writes to Louise. But
those too have something to tell us if we look carefully.
It’s clear pretty much from the outset that Violet is not offering
full disclosure and though both girls are happy to party, Carrie is the more outgoing
one, ready to chat to anyone. Violet is
ready to take advantage of Carrie’s generosity though she wants to keep Carrie
Soon what looked early on like a great friendship is
undermined by the actions of one or other of the women and we find it difficult
to come to grips with either of them because their facades belie their true
natures. Amid the partying, drink and
drugs something tawdrier is simmering.
I love Susi Holliday’s writing in this book. She presents her young women as happy backpackers, young and carefree, ready to live life to the max. They are like happy, smiling, alabaster dolls and then as we watch, their faces start to display the crackle of a damaged veneer and soon bits of plaster are falling off and what lies underneath is damaged and ugly. As I read, I couldn’t help visualising Violet as a bird hybrid. Part magpie, attracted by new shiny things that she just has to collect and part cuckoo, sizing up Carrie’s nest and worming her way in before taking up residence in a way that leaves no room for Carrie.
Violet is a fast paced and action packed psychological
thriller, but it is also beautifully layered and the slow unpeeling of these
layers is what makes Violet really special. While the action and interaction
are in themselves engrossing, it is the simmering tension and heightened
apprehension that is bubbling beneath the surface that keeps the reader on
tenterhooks. I can see why the comparison has been made with Patricia
Verdict: Violet is a compelling cocktail of a toxic friendship riddled with obsession and laced with venom and it is chilling, dark, pernicious and completely immersive. I loved it.
S.J.I. (Susi) Holliday is a scientist, writing coach and the bestselling author of five crime novels, including the Banktoun Trilogy (Black Wood, Willow Walk and The Damselfly), the festive chiller The Deaths of December and her creepy Gothic psychological thriller The Lingering. Her short story ‘Home From Home’ was published in Alfred Hitchcock Mystery Magazine and shortlisted for the CWA Margery Allingham Prize. Encapsulating her love of travel and claustrophobic settings, her latest novel, Violet, explores toxic friendships and the perils of talking to strangers, as well as drawing on her own journey on the Trans-Siberian Express over 10 years ago. All of her novels have been UK ebook number-one bestsellers. Susi was born and raised in Scotland and now divides her time between Edinburgh, London and as many other exciting places that she can fit in.
Source: Review copy Publication: 8 October 2019 from Strident Publishing PP: 272 ISBN-13: 978-1910829387
In cities across North America people are dying in seemingly impossible ways. Is history s most outrageous serial killer on the loose? When LAPD Detective Sarah Tracy is secretly instructed to recruit Craig McIntyre to help her investigate the deaths, she is unaware that his mere presence can transform people s darkest thoughts into action. As Sarah and Craig hunt the murky underbelly of LA for the malevolent figure responsible for the bizarre deaths, they stumble upon the most expensive narcotic ever to hit the streets – a substance that promises something so unbelievable that users are willing to risk death to experience it. With government black ops agency head Senator Tampoline always lurking in the shadows, Craig is used to being hunted. Now he is the hunter. And thousands could die if he fails to track down the killer.
I am delighted to welcome Gordon Brown to my blog today and excited to share with you an exclusive extract from his new thriller, Highest Lives.
(One year earlier)
The Man With Dead Eyes moves the gun in his hand from
vertical to horizontal.
Across the street, a young woman, pushing a crying baby
buried in a Silver Cross stroller, is trying to answer her
phone and steer at the same time. A young male, sitting on a
park bench, is munching on a sandwich from Subway, his last
meal – ever.
Three men, each manacled to the God of fashion, are ranged
across the sidewalk fifty yards behind the young woman with
the Silver Cross stroller. One is dressed in a white vest
beneath a cream boating jacket underscored with lime pants.
His shoes are loafers from twenty years ago. Next to him,
man with the longest hair is dressed as sharply as a bur
metal rod. His suit cost more than he can afford. His shirt
more than the suit and the tie cost more than both put
The third in the trio of fashionistas is sporting deceptive
driven by dollar signs. His jeans, sweater, sneakers and
belt all display high-end designer labels. The three are on
way to meet their partners. Had they a future, the resultant
of four men and two women would boost the profit of a new
Nigerian fusion restaurant.
A police officer is located behind and to the left of The
With Dead Eyes. Had he stopped to pick up his usual morning
coffee from Zeta’s Café, he would be behind and to the
He would see the gun in the hand of The Man With Dead Eyes
and could take him down. But the police officer declined to
Zeta’s. A raging ulcer he refuses to deal with is a small
in his gut this morning and drinking coffee is like pouring
a severed leg joint. His fifteen-year service party, to be
Friday in Mulligan’s, will be flipped to a wake.
Now does that not sound compelling? My thanks to Gordon Brown for the use of this extract.
Gordon has been writing since his teens and has six crime thrillers published – his latest, Deepest Wounds, being the third in the Craig McIntyre series, is out now. Gordon helped found Bloody Scotland – Scotland’s International Crime Writing Festival and lives in Scotland. He’s married with two children. Gordon once quit his job in London to fly across the Atlantic to be with his future wife. He has also delivered pizzas in Toronto, sold non alcoholic beer in the Middle East, launched a creativity training business called Brain Juice and floated a high tech company on the London Stock Exchange.
He almost had a toy launched by a major toy company, has an MBA, loves music, is a DJ on local radio, compered the main stage at a two-day music festival and was once booed by 49,000 people while on the pitch at a major football Cup Final.
Source: Review copy Publication: 7th November 2019 from Sandstone Press PP: 228 ISBN-13: 978-1912240760
In 1829, disillusioned young doctor, Mungo Lyon, is recruited by the
Crown to investigate a mysterious murder and shipwreck off the coast of
Scotland. His adventures lead him on a pursuit across the Scottish countryside,
to kidnap and treason, an unwanted trip to the West Indies, an insurrection and
A large part of the enjoyment of historical fiction for me
is the ability of the writer to conjure in my mind the sights, sounds and
smells of a bygone era. Stephen O’Rourke has done that well in The Crown Agent and I loved his
descriptions of maritime sailing, of a barge journey through the Forth and
Clyde canal and of the hustle and bustle of Glasgow’s Broomielaw as it teemed
with different nationalities seeking their new ports of call.
The Crown Agent is a fast paced adventure story, telling the
exploits of Dr Mungo Lyon, a surgeon whose work has been discredited following
the exposure and trial of Burke and Hare for murder and body snatching.
Called upon to act as an undercover agent for the government,
his life is in danger from the very start of his adventures. Lyon stumbles upon
a secret society whose tentacles spread throughout polite society and he has no
idea who he can trust.
Travelling from Edinburgh through to Greenock, he is
challenged and hunted at every turn and must use his wits to get himself out of
the hands of the evil criminals who are doing their masters’ bidding in hunting
One man is there beside him, aiding his survival, but even
he has a past that makes Mungo think twice about accepting his help. As our
brave young doctor takes on a huge challenge, we see him take enormous risks to
get to the truth and find those who are behind this devilish secret society, seeking
to expose their plans for domination before it is too late.
Every chapter is action packed with impromptu surgeries,
violent attacks and villains who are relentless in their desire to bring Mungo
down. O’Rourke has a splendid descriptive style that allows the reader to
visualise the countryside in all its glory as we follow Mungo’s tense and
suspenseful adventures which take him from Campbeltown to Jamaica.
O’Rourke’s writing is vivid and authentic and his dialogue is well suited to this 19th century adventure story in the tradition of Stephenson.
Verdict: An exciting historical adventure story with plenty
of action and suspense. I do love a good conspiracy thriller and Stephen O’Rourke
has given me one I can really get my teeth into. Recommended.
Stephen O’Rourke is an advocate and a Member of the Institute of Chartered Arbitrators. He formerly wrote a regular column for The Scotsman and has written for The Guardian, Caledonian Mercury and Think Scotland websites. In 2012 he won a short story competition run by The Daily Telegraph, which proved to be the basis for The Crown Agent.
Source: Review copy Publication: 14 November 2019 from Pan MacMillan PP: 432 ISBN-13: 978-1509874453
‘My sister was abducted from here nearly thirty years ago. The person
who took her was never found. And neither was she. Her abductor nearly killed
me. So I’m back here now trying to find the truth.’
Atlee Pine has spent most of her life trying to find out what happened
that fateful night in Andersonville, Georgia. Her six-year-old twin sister,
Mercy, was taken and Atlee was left for dead while their parents were
apparently partying downstairs. One person who continues to haunt her is
notorious serial killer Daniel James Tor, locked away in a Colorado maximum
security prison. Does he really know what happened to Mercy?
The family moved away. The parents divorced. And Atlee chose a career
with the FBI dedicating her life to catching those who hurt others. When she
oversteps the mark on the arrest of a dangerous criminal, she’s given a leave
of absence offering the perfect opportunity to return to where it all began,
and find some answers. But the trip to Andersonville turns into a
roller-coaster ride of murder, long-buried secrets and lies.
And a revelation so personal that everything she once believed is fast
turning to dust.
I am really enjoying my exploration of David Baldacci’s characters. After his brilliant One Good Deed with Aloysius Archer, I have turned to Atlee Pine and the second book in his series about this tenacious and prickly FBI agent.
Atlee Pine is a 35 year old FBI agent, stationed in Shattered
Rock, Arizona, where she is the sole FBI agent patrolling the rural and remoter
areas of south west America. Atlee is haunted by the abduction of her twin sister,
Mercy when she was only six years old. After that, the family fell apart. Atlee’s
parents divorced and her father killed himself on Atlee and Mercy’s birthday. Then
Atlee’s mother left and Atlee has no idea where her mother is now.
Atlee is a tenacious agent. Physically very fit, she is an expert in MMA and kickboxing and an Olympic standard weightlifter. She is an experienced profiler, but eschewed a place in the Bureau’s Behaviour Analysis Unit because she doesn’t want to profile – she would far rather be in the field catching the monsters.
In A Minute to
Midnight, Atlee is in seriously would up mode. She has been visiting
notorious psychopathic serial killer Daniel Tor in prison. Tor was in the
Andersonville area when Mercy was taken and Atlee was injured and left for
dead. She wants to know if he was responsible, but Tor is content to simply
wind her up and disclose nothing.
Then, hunting down the perpetrator in another case, Atlee
takes out all her frustrations on a child abductor and beats him hard. After
that incident her boss gives her a leave of absence, suggesting that she gets
her head straight by investigating what happened to her in Andersonville 30
years ago so that she can finally lay her ghosts to rest.
Of course, nothing is ever quite as simple as that. Taking
her assistant, the redoubtable mother of six, Ms Carol Blum with her to
Georgia, Atlee quickly becomes embroiled in another murder. This time the first
victim is a woman dressed in a wedding veil and left posed and placed in the
small town of Andersonville.
Atlee can tell from looking that this is the work of someone
who is just beginning, and that proves to be the case. The question in her
mind, however, is whether these killings are related to her coming home to
Andersonville, or whether this is simply coincidence and the work of an
unrelated serial killer.
FBI Agent Eddie Laredo known to Atlee from her time at the
BAU, is brought in to assist and he and Atlee, though they are not exactly
bosom buddies, work together to identify this serial killer.
As Atlee works the case in parallel with conducting her own
investigation into her sister’s disappearance, she meets a cast of characters
who have all played an important part in her early years, though she remembers
none of them clearly.
What she does discover though is a series of revelations – some deduced, others coming more from left field – which leave her reeling.
David Baldacci has created a really memorable and likeable
character in Atlee Pine, though one who is never going to be at peace until she
finds the truth. His storytelling is nuanced, layered and immensely compelling.
Baldacci has that ability to create
characters that you can visualise in your mind’s eye, make you like them and
then place them in life threatening situations so that your heart pounds when
Verdict: Atlee Pine is a brilliant new contemporary character.
David Baldacci’s storytelling is layered, complex and full of characters that
you want to know better. His pacing is that of a super sleek racing car and his
plotting full of twists, turns and surprising diversions that have the reader
double de-clutching to work out what’s going on. Baldacci knows how to ramp up the tension and
his mixture of thrills, suspense and family secrets is completely gripping.
David Baldacci is one of the world’s bestselling and favourite thriller writers. With over 130 million copies in print, his books are published in over eighty territories and forty-five languages, and have been adapted for both feature-film and television. David is also the co-founder, along with his wife, of the Wish You Well Foundation®, a non-profit organization dedicated to supporting literacy efforts across the US.
There is nothing quite as awe inspiring as an autumn drive
up the A9. The variety of trees and colours is simply spectacular and though the
day was a little dreich it was still a pleasant journey.
Grantown on Spey is a splendid little Highland town in the centre of the Scottish Highland on the northern edge of the Cairngorms National Park. The town’s Square and High Street are lined with unique, independent and interesting shops and businesses selling everything from children’s clothes to whisky, fishing line to pottery.
Most importantly, the town has a terrific bookshop owned and
run by an amazing woman called Marjory Marshall. She has owned The Bookmark
since 2007 and personally selects every title and the astonishing range of
stock squeezed into limited shelf space is testimony to her own eclectic and
very varied reading.
It felt a bit strange this year, travelling up to the 7th
Grantown on Spey Wee Crime festival, knowing that neither of my fellow
‘fairies’ Sharon Bairden or Louise Fairbairn were (for different reasons) able
to be present. Still, I knew there would be other friendly faces, so despite
the horrid mist and rain, I girded my loins and got underway.
Roadworks on the A9 slowed me down a tad, but I was still
able to make it to my, by now, regular first stop for lunch at Muckrack House
Hotel. Sadly, their head chef has moved on so there is no longer a pie of the
day, but I’m delighted to report that the new chef produced a splendid lunch
and Muckrack will remain in my excellent places to lunch repertoire.
Then, nicely fuelled, it was off to Grantown and to check in
to my hotel ready for the evening’s entertainment. Arriving, I bumped into
Marjory Marshall, the Festival Supemo, who was ensuring that Fiona and Denzil Meyrick
were settling in well. Denzil was scheduled to appear in several guises over
the weekend – as interviewee, interviewer and in that evening’s entertainment.
There was, of course, a packed house in the Pagoda for the latest Skelton extravaganza. Sadly Caro Ramsay was unavailable, so there was no Carry on Sleuthing, but Douglas had put together a varied selection of entertainment, nay, a cabaret even, for our delectation.
The identical TimTom twins made an inevitable appearance,
there was an excellent Sherlock sketch, Lesley Kelly, with her stand-up comedy
experience, entertained us royally on
the subject of Amazon reviews and Denzil Meyrick brought just the right amount
of dry, comedic disdain (as befits an author who has sold 2 million books) to
Highlight of the evening though has to go to Douglas Skelton
for his rendition of the ageing hippy singing the Crime Writer Blues. Reader,
we were in tears. (and that was just the singing).
Then it was back to the hotel for a wee nightcap before bed.
Remains of the Day Was the first session of the morning with Margaret Kirk and Hania Allen
being interviewed by Lesley Kelly. The authors read from their work and then
discussed the evolution of their characters. Margaret’s Detective, Lukas Mahler,
sprang pretty much fully formed into a short story she was writing and she then
used him as the central character in her police procedural series.
Hania Allen’s lead character is Sergeant Dania Gorska, a
Polish Detective living in Dundee where her brother is an investigative
journalist. Like Lukas Mahler, Dania has left the Met to come to Scotland and
both detectives have interesting back stories that are revealed as their series
Hania talked about how the spectre of Brexit has been
hanging over all her novels and that she has addressed that as she has been
writing over the last few years, but the difficulty of predicting what might
happen when books are published around 2 years after they are first submitted
is a real headache. Crime writers, these authors suggested, are the real
victims of Brexit!
Lesley Kelly wanted to know how the writers managed to keep
their books so dark, and Margaret thought that being Scots really made that not
difficult at all. Though of course there is light and shade in all of her books,
– in Margaret’s case it is Fergie’s ridiculously smelly car which she describes
as a mobile dustbin.
Hania’s Dania plays classical piano, mainly Chopin and loves
her vodka, while Lukas Mahler is more of a Runrig and Julie Fowlis fan and as a
non-drinker, coffee is his stimulant of choice.
Margaret started her crime fiction writing after attending a
course at Moniack Mhor , which, she says, injected her with so much confidence
that she felt able to carry on writing and eventually submit the beginning of
her book to the Good Housekeeping competition, which she then won – and that
gave her an agent and a publishing contract.
Hania, who holds a physics doctorate, wanted to be the first
British female astronaut, but was pipped at the post by Helen Sharman. Her
inspiration came from two sources; the first was a visit to an Ice Hotel in
Lapland and the second was attending an Arvon Foundation writing course with
Alan Guthrie and Louise Welsh.
Hania draws on her parents Polish heritage for her novels as
well as their experience of the war and the warmth that the Scots showed
towards Polish soldiers, especially, she says, at Hogmanay. She talked movingly
of finding, amongst her parents photographs of their travels, a whole host of
silver tokens (from Christmas pudding) that they had collected from their time
All at Sea
Then it was time for coffee before we moved on to a session Douglas
Skelton chatting to Denzil Meyrick in a session titled All at Sea.
Now, as Douglas was quick to point out, Denzil has sold over
two million copies of his D(C)I Daley books, of which Whisky from Small Glasses
was the first. Denzil credits the title with being something that helped the
book stand out and the humour and the warmth of Campbeltown, where the series
is set, are reflected in his books. Denzil is a great supporter of Campbeltown
charities and was incensed when he heard that jobs could be lost at a local
wind turbine factory there – up to three quarters of the workforce, more than
70 people, could lose their jobs. That would, he said, be a huge blow to
Campbeltown especially following on from the failure of the Campbeltown
Creamery despite the best efforts of a crowd funding campaign. Campbeltown is an
area he feels has been neglected by the Scottish Government.
It’s clear when you listen to him talking that he has a huge
passion for both the area and the people, though he says not all his characters
are based on real people, even if the residents think otherwise!
The series rings the changes as some are more horror based
and one or two are more historically centred, keeping the series fresh for both
the author and his readers.
Douglas asked Denzil about the importance of accuracy in
police procedurals, especially given that Denzil used to be a copper, but
Denzil’s view is that there can be too much emphasis on that as people want to
read books to enjoy them, not to pore over the detail of forensic analysis.
What does he read? He enjoys Zola, Patrick O’Brien,
historical writing and he says, Scandi noir, because the scandi writers are ‘as
dark as I am.’ Does he enjoy writing, Douglas asked? ‘It’s great when you’re
doing it, he responds, but thinking about doing it is just terrible.’
A Netflix series of the Daley and Scott books is under
discussion and Meyrick has his sights set on Rory McCann for Jim Daley and
Brian McCardie for Brian Scott. That’s a casting that garnered huge approval
from the Grantown audience and I’d very much hope it comes to fruition.
Meyrick isn’t resting on his laurels though. He has a new
series in the pipeline focusing on Paisley, which he describes as a gangster
series and he is writing a black satire set on a private housing estate.
Meanwhile the next book (he’s not saying if it will be the
last) in the Daley and Scott series, Jeremiah’s Bell, will be out next May.
After lunch we convened for a session called Corruption and Lies, with Theresa
Talbot and Gillian Galbraith, chaired by Michael J Malone.
Gillian, who I had not seen before has had an excellent
career trajectory. She started in DC Thomson’s, doing the stars column where,
she told me later, Capricorns always got the best predictions as that is her
birth sign. She moved on to become an agony aunt on teenage magazines, where she
both wrote and then solved the problems, before retraining and ending up as a
leading Q.C. specialising in medical negligence cases and agricultural law where,
inter alia, she worked on the Penrose Enquiry into the contaminated blood
scandal. She has also been the legal correspondent for the Scottish Farmer and
has written on legal matters for The Times.
Theresa Talbot has written about the contaminated blood
scandal in her book Keep Her Silent and
her new book, The Quiet Ones, is about an abuse scandal in a boys’ football
club, which she calls the Caledonian Club.
Gillian’s latest book, The End of the Line is a bit of a
departure for her. This time it is not
police procedural but is written in the first person from the
perspective of Undertaker and antiquarian bookseller Anthony Sparrow. After the
death of leading haematologist Professor Anstruther, antiquarian book dealer
Anthony Sparrow is tasked with clearing out his mansion of its books and
papers. He soon begins to question the real circumstances of the old man’s
death: was he in fact murdered, and if so, who was responsible? The answer
might be found in the personal diaries and letters which Sparrow unearths. But
as he closes in on the answer, the perspective suddenly shifts and everything
which he was sure about dissolves into darkness and shadows.
Gillian took her inspiration from reading Graeme Macrae
Burnett’s His Bloody Project, where
the case was laid out in documents and from Notes on a Scandal and she then
added an unreliable narrator in the form of Sparrow, a bit of an oddball who
clears houses. She is at pains to stress that her fiction is entirely different
to anything that happened in the Penrose enquiry.
Theresa Talbot is fascinated by major crimes that go unpunished. She sees the contaminated blood scandal as something truly criminal where the victims were wholly innocent and yet the problem had been known about since the 1940’s. There was, she told us, lots of evidence that this was a problem out in the public domain but it was never highlighted as a major scandal. Theresa read interviews and examined the evidence that was given, recognising that the Scottish story was slightly different, as most of the blood in our case was given by Scots rather than bought in. In the US she told us, blood can be sold and drug users will queue up to do that for $7 a pint.
Gillian Galbraith didn’t plot The End of the Line; she let
the story flow through. For her the theme came first. Asked about what advice
she would give to aspiring writers she says firmly ‘don’t get it right, get it
written (and avoid clichés).
As a journalist Theresa Talbot is used to writing every day.
She thinks that there’s a lot of her in her protagonist, journalist Oonagh O’Neil,
who is also very much riled up by perceived injustice and understands that bad
things can happen when a few people are prepared to turn a blind eye. Hers is
crime based on facts but made fictional. Next she will be looking at the awful
crime of people trafficking.
Gillian’s next book will take the plague in 18th
Century India as its starting point – you can tell she’s looking forward to
writing about rats…
Hidden Secrets and Tangled Lives
The final panel of the day was Douglas Skelton and Michael J
Malone being out through their paces by interrogator Denzil Meyrick.
Was it hard, he started by asking Douglas, writing from the
perspective of a 23 year old female journalist in Thunder Bay? Not so hard, said Douglas, he just treated her as he
would any other character. Turning to Michael J Malone (or Malky Maloney as he
insists on calling him) he asked Michael about his choice of unusual subject
matter in In The Absence of Miracles.
Michael explained that In The Absence
was actually the first book he ever wrote. He wanted to write about male
victims and so he researched and found some taboo subjects that hadn’t been
much written about before.
His writing is done with respect for the people whose life
experience this is though – that is clearly very important to him. He believes
that difficult issues should be discussed and his focus is not to on depicting
the violence or the graphic elements of the crime, but on demonstrating the
impact of such crimes.
Moving on to Douglas Skelton, whose career has encompassed
being a journalist as well as writing tue crime, Denzil wanted to know what
Douglas thought about the demise of newspapers and what if any advice he had in
the face of that decline?
Douglas’ experience is in weekly newspapers which is a
different beast to the daily and so he has never been ‘banged out’, the
traditional farewell to a journalist leaving a daily paper. But times in newspapers are hard and yet the
need to hold the powerful to account has never been stronger.
Discussing Thunder Bay, Douglas said that he built his
fictional island, Stoirm, from the ground up. When he was writing his musical
choices were designed to create the atmosphere he desired, so there was lots of
Rachmaninov’s Symphonic poem, The Isle of the Dead, and masses of Sibelius,
Michael talked about the hidden – the crimes in his books are
driven by what is hidden and he reminds us that we are more likely to be
damaged by those closest to us rather than a stranger and that’s what
fascinates him – that journey in people’s lives.
The panel discussed what makes a book successful, with the
suggestion that luck plays a huge part and suggested that publishing is a multi-million
pound industry being run like a cottage industry.
They also chatted about the importance of research and using
that research both lightly – without reams and reams – as well as using it
respectfully. Flavouring the narrative and only using that which helps you tell
the story rather than lecturing was the concensus.
Douglas talked about settings and using what he called his ‘sense
memory’, i.e. his impressions and the sounds, smells and sights that he recalls
to build up an atmospheric picture.
Are there places Michael wouldn’t go in his writing? Not, he
says, if it is treated sensitively enough. He talked a bit about another hidden
statistic – that of same sex domestic violence where he tells us the most
affected group are lesbian women. Until these things are explored and talked
about, there is always going to be a political subjectivity to the treatment of
domestic violence which surely cannot be appropriate?
So what’s next for these two writers, Denzil wanted to know?
Douglas has just finished the next book in his new series, with reporter
Rebecca Connolly, this time the setting is Inverness. After Thunder Bay, I can’t
wait to read the next one.
Michael is writing a book with the provisional title of A
Song of Isolation about an actor whose boyfriend is accused of something
terrible and who then goes on the run (sounds intriguing!).
Then it was back to the hotel to prepare for a night of
mayhem and madness in the Pagoda with Crime and Dine, a murder mystery play.
Lots of fun and laughter as amid the excellent food courses,
a troupe of actors committed murder (with both the script and the cast) and the
audience was asked to solve the crime. Cue much hilarity, some marvellous
accents and a lot of excellent ham to flavour our experience.
And there. Gentle reader, I’m afraid I have to leave it.
There was a Sunday session with the marvellous Olga Wojtas, but I had committed
to giving some friends a lift back down the road and we were not able to stay,
but I have no doubt that, aided by the traditional bacon rolls, everyone would
have had a splendid morning!
My thanks to Marjory Marshall of the Bookmark Bookshop and all her team of helpers. Roll on next year!
Source: Review copy Publication: 9th August 2019 in e-book; 12 December 2019 in paperback from Black Swan PP: 384 ISBN-13: 978-1784164089
Four strangers are missing. Left at their last-known locations are birthday cards that read: YOUR GIFT IS THE GAME. DARE TO PLAY?
The police aren’t worried – it’s just a game. But the families are
frantic. As psychologist and private detective Dr Augusta Bloom delves into the
lives of the missing people, she finds something that binds them all.
And that something makes them very dangerous indeed.
As more disappearances are reported and new birthday cards uncovered,
Dr Bloom races to unravel the mystery and find the missing people.
But what if, this time, they are the ones she should fear?
Gone is an interesting take on the psychopathic serial
killer genre and as such it is a fascinating and enjoyable read. A dual strand
runs through this book. The first is the story of Seraphine, a 12 year old
child visiting a psychologist after stabbing a school caretaker with a
sharpened pencil, which she justifies as self-defence because he was sexually preying
on her school friend and she was in fear that he would harm her, too.
The second is a deadly game which has resulted in people
going missing from their families and friends.
Dr. Augusta Bloom is a psychologist who often works with the
police and her friend and business partner, Marcus Jameson, an ex -MI6 operative
who has left the service with severe burn-out. They discover that each of the
four missing people they are looking into has received a card in the post. Tese
cards read ‘Happy first birthday’ and ‘Your gift is the game. Dare to play? ‘
Jameson is contacted by his sister, Claire, who has been
looking after Jane, the daughter of Lana, an army officer who is one of the
people who has gone missing.Claire has
been looking after Jane while her mum is away on army manoeuvres, and who has
Claire has done some investigating of her own and has
discovered another three people who have also gone missing in similar
As Bloom and Jameson start to look into Lana’s disappearance
they find that these disappearances are more chilling than anyone first
thought. This premise offers an intriguing start to a fast-paced and action
fuelled psychological thriller which captured my imagination and held my
Well plotted and intriguing, Gone is a different approach to the psychological thriller genre
and offers an interesting and novel take on an investigating duo.
Characterisation is fairly lightly drawn, but this is the
start of a series, and character development may follow in future books. As the plot develops, it becomes clear that
Bloom and Jameson have inextricable links to this case and their past history
will have a bearing on how the revelations unfold.
Psychological profiling plays a key role in enabling the analytical Bloom to get to the truth of what has been happening and I really enjoyed this aspect of the book, although as we got towards the conclusion the denouement became a little more obvious and the action somewhat more requiring a leap of faith.
Nevertheless, this is a strong start to a potentially
exciting new investigative pairing and I would happily read another book with
these two protagonists.
Verdict: A chilling and gripping psychological thriller with
real potential for a future series.